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In his gracious and melancholy film "The Private Life of Sherlock Holmes" (1970), screening April 30 at BAM, Billy Wilder spoofs the legend of the great detective without quite overthrowing it. This Holmes, as embodied by Robert Stephens, is sexually ambiguous, vain, cocaine-addicted, and a bit of a crackpot; he's astute about tiny details while missing the important things that happen to him. Yet he has an indefinable dignity--produced, perhaps, by a sense that his great days are over. After an amusing prologue in which ...