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Panic Attack.(Waiting for Godot)

The New Yorker

| May 18, 2009 | Lahr, John | COPYRIGHT 2009 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Samuel Beckett's "Waiting for Godot," billed as "the laugh sensation of two continents," made its American debut at the Coconut Grove Playhouse, in Miami, Florida, in 1956. My father, Bert Lahr, was playing Estragon, one of the two bowler-hatted tramps who pass the time in a lunar landscape as they wait in vain for the arrival of a Mr. Godot. "Playing 'Waiting for Godot' in Miami was like doing 'Giselle' in Roseland," my father said. The play was not so much a laugh riot as a revolution in theatrical storytelling; inevitably, it was met with militant incomprehension. "A dramatic whatzit," Walter Winchell called it, adding, "The history of frammis never had anything so ...

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