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Corton.(Restaurant review)

The New Yorker

| March 30, 2009 | Collins, Lauren | COPYRIGHT 2009 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

In 2000, Paul Liebrandt, a consumptive-looking Brit who apprenticed under Marco Pierre White, Raymond Blanc, and Pierre Gagnaire, became the youngest chef, at the age of twenty-three, to earn three stars from the New York Times--and, along with them, a reputation for possessing a romantic cast of mind. Within months, he had left the restaurant, Atlas. His next job, at Papillon, lasted only a year. Then there was his stint at Gilt, which people thought was brilliant, and which didn't last long, either. After a couple of years cooking privately, Liebrandt is probably sick of having to relive his temperamental youth. Suffice it to say that he once helped stage a dinner where blindfolded guests ate jelly off a naked woman. At Corton, which Liebrandt has conceived with the veteran restaurateur Drew Nieporent as "three-star dining stripped down," the mood is clean and bright. With starry light fixtures in irregular shapes (one resembles a wand dipped in sparkling honey) and pristine white walls embossed with designs in the shape of tree branches, it could be a planetarium designed by Apple. One recent Friday night, a banquette toward the front of the room was occupied by no less a futurist than the Goldman Sachs C.E.O. Lloyd Blankfein.

What's surprising about Corton is the levity that ...

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