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In his second collection, Miller quietly disassembles everyday life, identifying the rhetoric, folly, expectation, and artifice that make up the world. Light is an important feature--a light on a film set, a car's headlights, the "flash-veins of lightning"--as it helps the poet notice tiny actions and the monumental changes they inspire. An artist, for example, bites into her still-life's apple, choosing to "destroy the room's echo / of ...