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Sergey Prokofiev Diaries 1915-1923: Behind the Mask.(Book review)

American Music Teacher

| February 01, 2009 | Litzelman, James | COPYRIGHT 2009 Music Teachers National Association, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Sergey Prokofiev Diaries 1915-1923: Behind the Mask, translated from the Russian by Anthony Phillips. Faber and Faber Ltd., 2008. www.faber.co.uk. 784 pp. $44.62.

The second installment of Anthony Phillips's translation of the Prokofiev diaries is nothing short of superb. It spans the years 1915-1923, covering the Russian Revolution, Prokofiev's move to America and subsequent move to Paris. Prokofiev's diaries are, simply put, riveting. His prose is impressive and his ability to place the reader in the atmosphere of the time and place of his life is quite remarkable.

One could argue that music transcends the time and place in which it was written, and awareness of circumstances, events or the composer's state of mind while creating the work isn't necessary to truly comprehend the work. But reading Phillips's translation of the Prokofiev diaries just might change your mind, for the diaries are truly a revelation. I must confess that I often go to composer's diaries solely to look up information surrounding a particular work that I may be learning or teaching. But once I started reading I found it nearly impossible to put the book down. Prokofiev's perception of the world around him, including political events, is quite astute. We often think of him as being naive and uninterested when it comes to politics, but perhaps that assessment is not completely accurate. This is part of an entry from 21 November/4 December 1918:

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