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La Vie En Pose.

Vogue

| December 01, 2008 | Foer, Jonathan Safran | COPYRIGHT 2008 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Byline: Photographed by Annie Leibovitz.

As Natalia models for Francesco Clemente, Jonathan Safran Foer recalls the uncanny pleasure of sitting for his own portrait.

Sometimes people are sad to be separated by a train window, and sometimes they are relieved. A locked door can inspire feelings of fear or safety. People can be on opposite sides of cigarette smoke, tears, waterfalls, camera lenses, one-way mirrors, bedsheets, elevator doors, banquet tables, stage curtains, crosshairs, peepholes, and binoculars. But of all the things that can be between two people, a canvas may generate the most awkwardly lopsided experience. The person being painted watches ...

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