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Piano Music of Africa and the African Diaspora, Volume 3, compiled and edited by William H. Chapman Nyaho. Oxford University Press, Inc., 2008. www.us.oup.com; (800) 451-7556); 56 pp., $19.95. Early advanced.
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Volume 3 is a diverse and attractive collection. It provides brief biographies of the composers about whom we need to learn more, offers useful performance notes and provides information on recordings.
Pianistic styles evidence a melange of dramatic scenes: "Take Me Back" by John Work becomes more than a tango, and requires careful voicing as one negotiates syncopations and dynamic contrasts. African-British composer Samuel Coleridge-Taylor's massive arrangement of "Deep River" tests the extremes of volume control. Wallace Cheatham combines "Didn't it Rain" with "God Put a Rainbow in the Sky" and comes away with an imaginative hands-full "boy" piece.
On the other hand, rhythmic subtlety characterizes: "La Dangereuse," a saucy Haitian meringue by Ludovic Lamothe; "Jamaican Dance" by Oswald Russell, requiring capable hand independence; Russell's impressionistic "Papillons"; and the clever ostinato "Cuckoo" by Howard Swanson.
Fleeting views of Africa are suggested in "Scenes from Traditional Life" by Akin Euba of Nigeria and ...
Source: HighBeam Research, Piano Music of Africa and the African Diaspora.(Book review)