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Tables for One.(paintings by Giorgio Morandi)

The New Yorker

| September 22, 2008 | Schjeldahl, Peter | COPYRIGHT 2008 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

In my ideal world, the home of everyone who loves art would come equipped with a painting by Giorgio Morandi, as a gymnasium for daily exercise of the eye, mind, and soul. I want the ad account: "Stay fit the Morandi way!" Take your dream pick from among the hundred and ten works in the potent retrospective of the Italian modern master now at the Metropolitan Museum. You can hardly go wrong with anything dated after 1920 or so, once Morandi, who died in 1964, at the age of seventy-three, had worked through his early involvements with Cezanne, Cubism, Futurism, and the pittura metafisica of Giorgio de Chirico and Carlo Carra. But make your choice a still-life. Morandi ...

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