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NOW IN HIS EIGHTY-SIXTH year, Jeffrey Smart has lost none of his bravura, mischief and wit. For evidence you need look no further than his sell-out exhibition of twenty-six recent paintings, which occurred in Brisbane in May. Smart is a living Australian treasure in more ways than one. The most obvious is the price his many admirers pay for his work. But this appetite suggests a hunger for something that money cannot buy. A sensibility? Whatever it is, it engages Smart's admirers as well as his interpreters.
Christopher Allen's new book is the latest study. Antecedents include analytical works by Peter Quartermaine (1983) and John McDonald (1990) and Barry ...