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Supersonic.(Karlheinz Stockhausen)

The New Yorker

| October 13, 2008 | Ross, Alex | COPYRIGHT 2008 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

For a few years in the late nineteen-sixties and early seventies, Karlheinz Stockhausen, the German avant-garde composer, nearly achieved the status of a pop icon. Each new piece of his attracted crowds of critics, struggling to convey the latest cosmic splatter of pointillistically variegated sounds. A lavish recording usually followed on the Deutsche Grammophon label. His lectures, mesmerizing in their mixture of scientific detail and visionary speculation, drew composers, professors, misfits, and rock stars. In 1967, the Beatles included his face on the cover of "Sgt. Pepper's Lonely Hearts Club Band," having already echoed his space-age bleeps in "Tomorrow Never ...

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