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Drowning.

The New Yorker

| August 25, 2008 | Packer, George | COPYRIGHT 2008 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

When night falls in Rangoon, the city's spectacular decay--patches of black mold devouring the yellowed walls of colonial buildings, trees growing wildly into crumbling third-story terraces--nearly disappears from view. The tea shops fill up, locals crowd the bookstalls on Pansodan Road, and the city, which seems furtive and depressed by day, becomes a communal stage. In the Chinatown district, two men in an alley crank out schoolbooks with a hand-operated printing press. At a sidewalk fish market, women sell shrimp, scallops, and squid by candlelight, while two teen-agers nearby strum guitars. Further east, along the Rangoon River, in the old residential quarter of Pazundaung, the wooden houses are open to the street, like storefronts, revealing an old woman sitting on a couch, a living-room shrine strewn with votive candles, and two men laughing as they listen to a radio.

One such evening in June, I had dinner at an outdoor restaurant north of downtown with a young man I'll call Myat Min. He grew up in a working-class township on the outskirts of Rangoon, the son of a mechanic and a woman who sold spices from Thailand. His father had been trained by British Air Force officers, and in the years after the 1962 coup, which gave control of the country to the Burmese military, he kept the family radio tuned to the BBC. Each evening, he ate fried noodles, listened to the news in English, and cursed the dictatorship.

Over the decades, the Burmese government has subjected its citizens to epic misrule, systematically destroying every institution of society except the Army, whose leaders have made staying in power their overriding goal. The streets of Rangoon and Mandalay are monitored by the secret police and by a group of armed thugs known as Swan Arr Shin--the Masters of Force. Dissidents are routinely tortured. The generals' irrational economic policies have reduced one of Asia's richest countries, once the world's leading exporter of rice, to penury. Burma's gross domestic product per capita is now less than half that of its neighbor Cambodia. Economic sanctions--a form of protest against the government's human-rights abuses--have made the country even poorer.

Myat Min was not quite thirty when we met, with a dark, high-cheekboned face, but he had the manner of a much older, eccentric man who had seen too much of life and was too vital to be self-effacing, even if his repressive society demanded it. He had an unusually loud voice by Burmese standards, which drew looks in public, and a laugh that often couldn't stop. The American expatriates in Rangoon called him Mr. Intensity. He wore only longyis, the Burmese sarong; he didn't own any pants. "I hate modern life," he said.

In 1995, when he was sixteen, Myat Min noticed a collection of stories by W. Somerset Maugham in a bookstall on Pansodan Road. He rented it (few Burmese can afford to buy books) and read the stories with such strong identification that he began calling himself Somerset. He moved on to Dickens, learning not just to read English but to speak it, sometimes with oddly Victorian cadences. I asked him why these British writers appealed to him. "All of the characters are me," he said, with a boisterous laugh. "Neither a British nor an American young man living in the twenty-first century can understand a Dickens as well as I can! I am living in a Dickensian atmosphere. Our country is at least one or two centuries behind the Western world. My neighborhood--bleak, poor, with small domestic industries, children playing in the street, parents fighting with each other, some with great debt, everyone dirty--that is Dickens. I am more equipped to understand Dickens than modern novels. I don't know what is air-conditioning, what is subway, what is fingerprint exam."

In 1988, when Myat Min was ten, Rangoon and other Burmese cities filled with millions of demonstrators calling for an end to military rule. It was a revolutionary moment, and by far the most serious challenge to the reign of the generals; the protest led by monks last September is the only event that comes close. Myat Min's older brothers disappeared from home for several months to join the uprising, and his father went looking for them every day. At the height of the demonstrations, Myat Min sneaked out of his house. He saw a mob of people, some of whom were carrying spikes on which the severed heads of informers--burned charcoal black--had been impaled. "Democracy!" the people shouted.

"I became interested in politics because of those scenes," Myat Min told me. At home, his father said, "Aung San Suu Kyi is the new leader of our country. American troops will come liberate us." But Suu Kyi--the daughter of the general who led Burma to independence, in 1948, and who became an accidental heroine to the protesters in 1988--was soon placed under house arrest, on the shore of Inya Lake, in the middle of the city. She has for the most part remained there ever since, in an isolation as profound as her country's.

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