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Ostensibly devoted to the problem of literary translation, this provocative treatise rambles through the Western canon from Cervantes to Bellow, treating novelists less as subjects than as characters in a sprawling intercontinental epic. Thirlwell revels in the anecdotal (Italo Svevo studied English with James Joyce) and the serendipitous (the French word dada was invented as an equivalent for "hobby-horse," in " Tristram Shandy"); presents indexes whose entries ...