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In the early nineteen-sixties, under the influence of a Jungian analyst, Fellini started keeping a dream diary. His films, always fantastical, soon took a distinctly oneiric turn, and he eventually filled some five hundred sheets with drawings and descriptions of his dreams, here reproduced in facsimile with English translations. Fellini archetypes (chiefly, gargantuan women in various states of undress and arousal), characters, and collaborators abound. The actor ...