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Publicity and its evil twin, celebrity, have become such dominant features of modern life that it's easy to forget that those intertwined phenomena are scarcely modern developments, not even in the relatively benign world of high-style design. Well before Philippe Starck, Le Corbusier, or Frank Lloyd Wright (to name only three of the profession's more incorrigible self-promoters) there was Thomas Hope, the British neoclassical designer, collector, patron, author, advocate, and disseminator of what is now known as the Regency style.
Though long a cult figure among antiquarian fanatics, this pioneering polymath remains little known to the American museumgoing ...
Source: HighBeam Research, Hope springs eternal, again.