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The jewelry created in France, Belgium, and other parts of Europe by a select group of avant-garde artists at the close of the nineteenth century was revolutionary. It reinvigorated what had become a formulaic naturalism with new forms drawn from outside sources, including the arts and crafts movement in Great Britain and the arts of Japan. The jewelry was also remarkable in that it redefined notions of preciousness. Platinum and diamonds, the preferred materials for high-style jewelry, were abandoned in favor of gold, enamel, colored gemstones, horn, and glass. This reduction in inherent value was more than compensated for by an emphasis on artistry and superior technical ...