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<a href="http://www.accessmylibrary.com/coms2/summary_0286-34830613_ITM" title="Facts and information about Bernard Smith and the Formalesque.(Art)(The Formalesque: A Guide to Modern Art and its History)(Critical essay)">Bernard Smith and the Formalesque.(Art)(The Formalesque: A Guide to Modern Art and its History)(Critical essay)</a>
Bernard Smith and the Formalesque.(Art)(The Formalesque: A Guide to Modern Art and its History)(Critical essay)
Quadrant
|
July 01, 2008 |
Anderson, Patricia |
COPYRIGHT 2008 Quadrant Magazine Company, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan. All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright
WHEN THE ART HISTORIAN Ernst Gombrich reviewed a book called On Quality in Art: Criteria of Excellence Past and Present in 1968, he began by saying: "A good race horse, one supposes, is one that wins races, a good chess player one who can beat his opponents ... a good linguist by his testable mastery of foreign languages. But how can we tell what is a good work of art or who is a great artist?" Equally mysterious is that which propels an art historian--or any writer for that matter--to spend the larger part of their lives attempting to answer that question and an even more elusive one: the evolution of "styles" in art.
That these mutations took place, especially ...
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Source: HighBeam Research, Bernard Smith and the Formalesque.(Art)(The Formalesque: A Guide to...