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Alexei Ratmansky's new piece for New York City Ballet, "Concerto DSCH," to Shostakovich's Second Piano Concerto (the initials are the composer's, in the German form), opens like a beach party, with dancers in swimsuitlike costumes doing sporty maneuvers. Then the lights dim, the concerto's lovely slow movement begins, and a couple--Wendy Whelan and Benjamin Millepied--who had danced together happily during the first movement begin to see life differently. Facing him, she bourrees backward; he runs toward her, falls to his knees, and reaches for her hand, which she withdraws. Finally, she lets him partner her, but their duet has a note of strangeness and difficulty. He ...