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Whatever is new, is bad," Wallace Nutting wrote in 1925. A minister-turned-entrepreneur who almost single-handedly popularized the colonial revival style via the sale of period furniture reproductions, Nutting (1861-1941) was one of the most acerbic partisans in an aesthetic light waged in the early decades of the twentieth century--a battle between modernism and tradition.
In the 1920s and 1930s the cream of the American aristocracy was firmly entrenched in the latter camp. In 1927, while the architect Rudolph M. Schindler (1887-1953) was completing the structure and furnishings for his groundbreaking Bauhaus style beach house for Philip M. Lovell (1895-1978), a ...