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Beautiful Friendships.(Movie review)

The New Yorker

| May 26, 2008 | Lane, Anthony | COPYRIGHT 2008 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

What is it with coincidence? Without it, movies could barely function: of all the gin joints in all the towns in all the world, Bogart's place has to be the one into which Ingrid Bergman walks. His liquorish rant against the odds of her doing so is a clever trick from the writers of "Casablanca": it drains her arrival of silly contrivance and floods it, instead, with a sense of damnable romantic destiny. The big screen is crucial if that trick is to succeed: watch a Fritz Lang thriller like "The Woman at the Window" or "Beyond a Reasonable Doubt" on DVD and you find yourself scoffing at the unlikely curves and switches in the plot, whereas the same setups, viewed in the ...

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