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The Shape Of Things.(Rachel Feinstein's abstract sculpture )

Vogue

| May 01, 2008 | Camhi, Leslie | COPYRIGHT 2008 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Byline: editor: Valerie Steiker LESLIE CAMHI

Rachel Feinstein unleashes a Baroque fantasy at Marianne Boesky Gallery.

R achel Feinstein has certainly put in her time as a muse, having inspired everyone from Marc Jacobs to her husband, John Currin, who has portrayed the statuesque blonde with wide-set eyes and a loopy smile in countless paintings. But she was all sculptor on a late-winter morning in her Tribeca studio, where, dressed in jeans and a T-shirt, she was in a whirlwind of preparation for her new show, which opens this month at Marianne Boesky Gallery in Chelsea. "I have an immediacy problem--I really like to see results quickly," she says. "These things have been going on for seven months now."

"These things" include a gigantic, nearly abstract wall piece, loosely based on a Gothic tapestry of Saint Michael slaying the dragon (soon to be recast in copper) and a whimsically magnificent ebony carriage, part Dr. Seuss, part Marie Antoinette, whose rear wheels, impaled with two crosses, lie crumpled beside it.

"Years ago, we went to Schonbrunn," the 37-year-old artist recalls of a trip she took with Currin, after which their friend Tobias Meyer (the Austrian-born worldwide head of contemporary art at Sotheby's) guided them through the palaces of the Black Forest. "It's a bright-pink, very schmaltzy castle. But in the Wagenburg, where they keep the royal carriages, there was this beautiful hearse they'd use to carry the queen's coffin."

Feinstein's ...

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