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Let's let Marlene, the diehard Thatcherite in Caryl Churchill's 1982 play "Top Girls" (revived at the Biltmore, under the direction of James Macdonald), make the introductions to the imaginary dinner party she throws to congratulate herself on having been appointed managing director of a female employment agency--a fabulous feminist occasion that constitutes the first (and best) act of this daring and difficult British play. "This is Joan who was Pope in the ninth century, and Isabella Bird, the Victorian traveller, and Lady Nijo from Japan, Emperor's concubine and Buddhist nun, thirteenth century . . . and Gret who was painted by Bruegel. Griselda's in Boccaccio and ...