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Mahler: Symphony No. 9; Richard Strauss: Metamorphosen; Death and Transfiguration.(Sound recording review)

Sensible Sound

| April 01, 2008 | Puccio, John | COPYRIGHT 2008 Sensible Sound. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Mahler: Symphony No. 9; Richard Strauss: Metamorphosen; Death and Transfiguration. Otto Klemperer, New Philharmonia and Philharmonia Orchestras. EMI 0946 3 80003 2 7.

EMI issued this 1967 Mahler Ninth recording a few years back in their "Klemperer Legacy" series, but I never had the chance to buy or hear it. Which means I hadn't heard it since its old LP days and had quite forgotten how persuasive it is. Now that it's been remastered in EMI's "Great Performances of the Century" line, I'm sure it sounds better than ever. In fact, to me it sounds better than anything currently on the market, new or old.

Although Mahler's last completed symphony was the crowning jewel in his symphonic cycle, gorgeous and sublime, it has always been somewhat ambiguous. Many listeners have interpreted its expressionistic content as an optimistic journey into the light, ending in sweet and everlasting repose, while others see it as a pessimistic view of the world's future where degeneration and decay are our lot. I favor the former view, but I suppose there is something to be said for the second viewpoint as well. At the time of the work's composition in 1909, Mahler was aware that he was gravely ill, and in addition he may have foreseen the coming of the Great War and the end of civilization as his generation had known it. So, there is every possibility of reading the symphony optimistically or pessimistically. Klemperer, who first performed the work in 1925, just thirteen years after its premiere, knows the piece backwards and wisely takes mostly the former course.

In my own view, the opening and closing ...

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