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Byline: LESLIE CAMHI editor: Valerie Steiker
A show of Irving Penn's still lifes reveals the master at his best.
More than half a century separates Irving Penn' s photograph of his swanlike wife, Lisa Fonssa-grives-Penn, swathed in a djellaba and sitting cross-legged beside a teakettle in a Moroccan palace, and his tightly focused show of ten pictures of vessels, opening this month at New York's Pace/MacGill Gallery. Yet the same elegance of line and strength of character inform them both. For his latest work, Penn has assembled a veritable harem of pitchers, pots, and a single cup, made of metals and ceramic and collected by the photographer and his wife (who died in 1992) in their travels during four decades of marriage. His lush and sober black-and-white portraits of these containers reveal each object in possession of a rich past.
"Vessels are austere and seductive," the famously reticent and camera-shy photographer, now 90, says. How else to ...