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Doll Houses.(Petrushka by Basil Twist)(Dance review)

The New Yorker

| April 21, 2008 | Acocella, Joan | COPYRIGHT 2008 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

At this moment, no theatre artist in New York is showing more poetic force or technical skill than the puppeteer Basil Twist. By now, after Julie Taymor's production of "The Lion King," it should not be hard to convince people that puppetry can be part of serious art, and the world has not ignored Basil Twist. His work has repeatedly been presented at Lincoln Center, to loving reviews, and he has won a lot of awards. Still, he is not a household name. He should be.

Early this month, Twist revived his 2001 "Petrushka," and it is an astonishment. "Petrushka," as most people know it, is a dance work, made for Diaghilev's Ballets Russes, in 1911, by Igor Stravinsky ...

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