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Byline: Leslie Camhi
It was a long way from the Baroque villa in Varese, Italy, where Count Giuseppe Panza DI biumo spent much of his childhood, to the drafty artists' lofts of Lower Manhattan. But that's where, on visits to studios since 1960, this Milanese aristocrat assembled a world-class collection of Abstract Expressionist, Pop, and Minimalist art. Why were the eyes of this elegant old-world figure (who, in his recently published memoirs, laments the decline of custom tailoring) so radically open to the new in American art?
"I loved philosophy, astronomy, nuclear physics," the irrepressible Panza, now 84, explains by phone from the Villa Menafoglio Litta Panza. (He and Rosa Giovanna, his wife of 50 years, still spend their summers there, one floor above the art-filled apartments-now a public museum-where they raised five children.) "To understand the new art was of primary importance to me," he continues. "It was like discovering a new theory in physics, or a new celestial body. It was born of this same desire, to know the unknown."
Americans will get a taste of Panza's singular vision when "The Panza Collection: An Experience of Color and Light," a show of 70 works by sixteen artists, including Dan Flavin, Bruce Nauman, and Anne Truitt, opens this month at the Albright-Knox Art Gallery in Buffalo. (Around 1,000 pieces from earlier phases of the collection, including masterworks by Rothko and Rauschenberg, have already been placed in major institutions, including the Los Angeles Museum of ...