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Drawing on the letters of his great-great-great-great-grandmother Lucia Mocenigo, a Venetian aristocrat, di Robilant paints a vivacious picture of the Napoleonic age. The fifteen-year-old Lucia's correspondence with her new fiance, the nobleman Alvise Mocenigo, includes a glissando from formality to rapture that gives an idea of the narrative's pitch: "My most esteemed spouse, my good father having informed me of your favourable disposition towards me, and having told me of your worthy qualities . . . I felt such agitation ...