|
COPYRIGHT 2008 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc.
When the British singer Dusty Springfield went to American Studios in Memphis, in 1968, to work with the producers Jerry Wexler and Arif Mardin and the engineer Tom Dowd, the hope was that they could do for Springfield what they did for Aretha Franklin--infuse her vocals with both earthy and empyrean qualities. The resulting album, "Dusty in Memphis," was hailed as Springfield's finest,...
Read the full article for free courtesy of your local library.
|