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Suite populaire bresilienne, by Heitor Villa-Lobos and edited by Frederic Zigante. Hal Leonard Corporation (www.musicdispatch.com; (800) 637-2852), 2007. 26 pp.
A staple in classical guitar repertoire, Heitor Villa-Lobos's Suite populaire bresilienne is a five-movement solo work published in 1955 by Eschig, though the individual pieces were written decades prior between 1906-08 and 1923.
Not unlike how a jazz musician might "jazz up" a spiritual or blues, Villa-Lobos here applies Brazilian brush strokes in the form of the indigenous street and salon music of the choro to European dance forms, creating what was among his most lyrical music for the guitar--sentimental, yes, though hardly indulgent. Yet the work underwent something of a transformation between 1928, when he first considered compiling these pre-written pieces into a suite, and the version he put together for Eschig in 1948. Hence this new critical edition by French guitarist Frederic Zigante, who consulted a number of primary and secondary sources, notably Villa-Lobos's 1928 autograph manuscript and the manuscript copy prepared for Eschig in ...
Source: HighBeam Research, Suite populaire bresilienne.(Book review)