AccessMyLibrary provides FREE access to over 30 million articles from top publications available through your library.

Gutsy effects: the Straus brothers maximize fear in Alien Vs. Predator.(visual Effects)(Greg and Colin Straus)(Interview)

Computer Graphics World

| January 01, 2008 | Robertson, Barbara | COPYRIGHT 2008 PennWell Publishing Corp. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Greg Straus and his brother, Colin, are well known to readers of Computer Graphics World as founders of the VFX studios Hydraulx and Lola, where they led the visual fleets work for Fantastic 4: Rise of the Silver Surfer, 300, X-Men: The Last Stand, Poseidon, The Day After Tomorrow, and other films. Greg received a VES nomination and BAFTA award for Best Visual Effects for The Day After Tomorrow, and he and Colin received a VES nomination for Best Visual Effects in a music video called Black Suits Comin' for Will Smith."

[ILLUSTRATION OMITTED]

The recent Alien us. Predator: Requiem marks their directorial debut, and as directors and visual effects supervisors for this film, they have big boots to fill: Ridley Scott's Alien won the best visual effects Oscar in 1980, as did James Cameron's liens in 1987. And, Predator (John McTieman) and Alien 3 (David Fincher) received scar nominations for best visual effects in 1988 and 1993, respectively. The most cent film in the franchise, though, Paul WS Anderson's AVP: Alien vs. Predator, received a Razzie award in 2005 for the worst remake or sequel. The Straus brothers mission is to bring the franchise back to its roots. In this movie, the aliens and predators have taken their battle to a small Colorado town.

Q Why did you want to do this film?

A We saw the script. They were going for the small-town horror-film feel, and our take on it was to go even more Texas Chain Saw Massacre with it. We felt they had drifted away from what made the originals so popular. I don't think there re a whole lot of scares in the last couple of movies, nothing that keeps you as tense and on the edge of seat as Alien or Aliens. So it was important for us to capture that intensity and scariness. Aliens are horrific and scary, and we think the tone of the movie should reflect that.

Q Are you a particular fan of the horror-movie genre?

A Yeah. But, this is not just a horror film; we have a sci-fi, suspense-thriller thread in the beginning, and then by the end of the movie, it takes a little more of an action-film twist. We thought it was cool to combine sci fi with horror. [ILLUSTRATION OMITTED]

Related articles from newspapers, magazines, journals, and more
Making sure reality doesn't seem alien: Men From Mars comes bearing visual...
Magazine article from: Post Pank, Bob August 1, 2002 700+ words
...chose the location because it suited their needs as a visual effects company. It has more space, lower overhead than Soho and...Its efficiency and accuracy made it easier to shoot for visual effects -- even making some in-camera effects. It proved to...
The Visual Effects Society Unveils '50 Most Influential Visual Effects Films of...
Press release article from: PR Newswire May 11, 2007 700+ words
...appreciation of visual effects as an integral...Most Influential Visual Effects Films of All Time...Kind (1977) 9. Alien (1979) 10...1984) 31. Aliens (1986) 32...VES Festival of Visual Effects, http://www...
His effects are truly special.(Edward L. Williams, visual effects...
Magazine article from: Black Enterprise Wilkinson, Deborah March 1, 2000 700+ words
...Age: 41 Occupation: Visual effects producer Location...of space by creating visual effects for spaceships, space...atmospheric conditions and alien creatures. He has worked...quickly progressed from visual effects associate to supervisor...
Autodesk Congratulates Visual Effects Oscar Winner King Kong.
Press release article from: PR Newswire March 6, 2006 700+ words
...Joe Letteri, senior visual effects supervisor at Weta...and Discreet Flame visual effects systems, and Autodesk...s proprietary SABRE visual effects system. ILM used the...including the warring aliens and their Tripods...
Don't fool with Mother Nature: the day after tomorrow features photorealistic...
Magazine article from: Post Restuccio, Daniel June 1, 2004 700+ words
...production of all the visual effects sequences, which were spread out over nine visual effects houses. They had an estimated $40 million visual effects budget. The key mandate...one thing to make an alien creature, it's another...
Pacific Ocean Post Brings Independence Day to Life with Discreet Logic Visual...
Press release article from: Business Wire August 13, 1996 700+ words
...Day delivers 350 visual effects shots through...contributing over 200 visual effects composites to...Fox film is an alien invader science...with today's visual effects capabilities...illustrating the aliens' key weapon...
The inhuman touch: digital tech provides tools for 'stories you couldn't...
Magazine article from: Daily Variety Goldsmith, Jeff December 13, 2005 700+ words
...helped birth the digital visual-effects era, says it's always...whatever you want, and visual effects allow you to tell those...that had lots of aliens, big cities and action...Lucas says. But visual effects didn't always come...
All seven Academy Award motion picture finalists use Discreet Logic technology...
Press release article from: Business Wire February 24, 1997 700+ words
...Independence Day.'' Leading visual effects artists used Discreet...Ocean Post's team of visual effects wizards used Discreet...providing a staggering 350 visual effects shots in 144 minutes...sequence where the aliens begin burning cities...
For more facts and information, see all results
©2009 Gale, a part of Cengage Learning. All rights reserved.
About us | FAQs | Contact us | Privacy policy | Terms and conditions
Other Gale sites: Encyclopedia.com | HighBeam Research | Acquire Content | Books & Authors | Goliath | MovieRetriever | Smart QandA