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In May, I went with a friend to see the Canadian indie-rock band Arcade Fire perform at the United Palace, a gilded rococo church in Washington Heights that seats more than three thousand and doubles as a theatre. The band was playing to a noisily receptive crowd during what has been a very successful year. Arcade Fire's latest album, "Neon Bible," which was released here in March, has sold more than three hundred thousand copies--an impressive number for an indie band during an industry-wide sales slump--and the group was on its second visit to New York in three months.
The band, six men and three women, shared the stage with half a dozen curved screens and ...