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A giddily paranoid conceit propels this Hollywood novel: a film editor discovers that one subliminal frame has been hidden inside every movie in history. Obsessed with splicing together these occult images, he obtains the original reels of celebrated films and secretly butchers them. (Erickson slyly compares the editor's studio to the lair of a serial killer: "Five hundred or so movies have been pulled furiously from their places on the shelves, canisters ripped open and celluloid unspooled everywhere.") ...