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Hunting Grounds.('No Country for Old Men'; 'Lions for Lambs')(Movie review)

The New Yorker

| November 12, 2007 | Lane, Anthony | COPYRIGHT 2007 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

The new Coen brothers movie, "No Country for Old Men," is set in Texas, with a foray over the border into Mexico. The cinematography is by Roger Deakins, a trusted collaborator of the Coens', who holds the wide, camel-brown sweep of the Texas scrubland steady in the frame, as if he were filming the Serengeti. When a hunter named Llewelyn Moss (Josh Brolin) perches on a crag and trains his binoculars, or the telescopic sight of his rifle, on a herd on the plains below, we expect to see lions, not antelope. His shot misses, and the antelope leap away, but the next group in Moss's vision lies still: a litter of abandoned vehicles and, scattered among them, human bodies. How ...

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