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Ann Patchett has not rushed to follow up her breakthrough novel, "Bel Canto" (2001), which promoted her from private to major in the embattled ranks of literary novelists. Before "Bel Canto," she had been admired but obscure, a veteran of academic postings and the grant wars. Her arresting, elegant thriller cast a hostage crisis in a nameless Latin-American capital as an operatic illustration of the well-known truism that captives and captors tend, as the days of mutual exposure draw on, to develop solidarity with one another. Patchett's customarily benign view of human nature took on global import within the besieged mansion of a Peru-like nation's Vice-President. A ...