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Shirin Neshat's "Rapture" (1999) is a twelve-minute video-and-sound installation, shot in black-and-white. On one screen, the viewer sees the silhouette of a seaside fortress; a second depicts a rock-littered wilderness. The sound of rushing wind gives way to strange music--guttural chanting, underlaid with ominous thrums. On the first screen, a corps of white-shirted men marches toward the camera; the other screen fills with a mass of women in black chadors. The men begin to move through the alleyways of a town toward the fortress and, arriving, prop ladders against its walls to ascend the ramparts. As some of their brethren, and the camera, watch from above, a group of ...