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Paul Laurence Dunbar's overlooked play.

African American Review

| June 22, 2007 | Leuchtenmuller, Thomas | COPYRIGHT 2007 African American Review. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

DUNBAR

Ah, how poets sing and die! Make one song and Heaven takes it; Have one heart and Beauty breaks it; Chatterton, Shelley, Keats and I--Ah, how poets sing and die!--Anne Spencer

Paul Laurence Dunbar is mainly known as a poet. And scholarship has practically neglected the importance of the author as a playwright. More precisely, concerning stage productions, Dunbar is--if at all--almost always only mentioned as a writer of lyrics for musicals; examples of this have for a long time been present in historical approaches to the black theater, such as work by Henry Elam and David Krasner (177), Genevieve Fabre (250), James Haskins (37), and Loften ...

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