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Poor old Turner: one minute the critics were singing his praises, the next they were berating him for being senile or infantile, or both. No great painter suffered as much from excesses of adulation and execration, sometimes for the same painting. "Slavers Throwing Overboard the Dead and Dying--Typhon Coming On" had, on its appearance at the Royal Academy, in 1840, been mocked by the reviewers as "the contents of a spittoon," a "gross outrage to nature," and so on. The critic of the Times thought the seven pictures--including "Slavers"--that Turner sent to the Royal Academy that year were such "detestable absurdities" that "it is surprising the [selection] committee have ...