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Barber: Adagio for Strings; Ives: Symphony No. 3, etc.(Sound recording review)(Brief article)

Sensible Sound

| November 01, 2007 | Puccio, John | COPYRIGHT 2007 Sensible Sound. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Barber: Adagio for Strings; Ives: Symphony No. 3, etc. Neville Marriner, The Academy of St. Martin-in-the-Fields. Decca Originals 475 8237.

It's surprising, isn't it, how sometimes the simplistic tune can become a hit, then a classic? Take Samuel Barber's little Adagio for Strings, for instance. It started life as the slow movement of his String Quintet, and in the late 1930s he arranged it for string orchestra. It became an instant success, and it has been popular ever since; yet it is really nothing more than a single brief passage repeated several times in several different ways.

The Adagio has never sounded more beautiful than under the direction of Neville Marriner and the Academy of St. Martin-in-the-Fields, back in the days (1976) when they ...

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Source: HighBeam Research, Barber: Adagio for Strings; Ives: Symphony No. 3, etc.(Sound...

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