AccessMyLibrary provides FREE access to over 30 million articles from top publications available through your library.

Digital technology takes flight.(USER FOCUS: MODELING)(Honda Motorcycles ad by Brickyard VFX CG team)

Computer Graphics World

| September 01, 2007 | COPYRIGHT 2007 PennWell Publishing Corp. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

In a recent spot for Honda Motorcycles, a frustrated driver punches through the roof of his car in bumper-to-bumper traffic, sprouts wings, and flies to open-road heaven with help from detailed 3D and effects work by the Brickyard VFX CG team.

The spot opens on an overhead shot of cars driving through gridlocked traffic while horns are heard honking through an underpass. An impatient driver punches a fist through the roof of his sedan, tears open a hole, and climbs through to stand on top of his car. Almost immediately, the man's arms extend out into bright-red, hawk-like wings that propel him up and out through an opening in the overpass, as the tag line "Free Yourself" appears on the screen. The scene then transitions into a shot of the liberated driver speeding away on his Honda motorcycle.

The Brickyard VFX CG team, led by Robert Sethi and Yafei Wu, got involved in the project during the early stages, designing the wing effect and providing on-set VFX supervision; lead Flame artist Patrick Poulatian also supervised the shoot. The team opted to create the wings entirely in CG since the director wanted them to look real, predatory, and large enough to realistically propel a grown man into flight. Practical wing props were too small and fluffy, and since they're largely made of turkey feathers, they didn't create a wingspan that was broad or wide enough.

[ILLUSTRATION OMITTED]

The team worked closely with the director on set and in casting to design a wingspan that would suit the performer; the resulting CG wingspan spread 16 feet across when composited onto the actor and fully extended. The color of the wings was chosen to denote the red wing of the Honda Motorcycles logo.

"On set we [established] witness cameras at different points around the actor to capture him from all sides and ensure that our CG would match ...

Related articles from newspapers, magazines, journals, and more
Brickyard VFX designs H2 graphics.(POST NEWS)(Modernista)(Brief Article)
Magazine article from: Post December 1, 2004 700+ words
BOSTON -- Brickyard VFX (www.brickyardvfx.com) designed...began airing around Thanksgiving. Brickyard VFX designed the tag graphic "Have...Earth. Other tweaks contributed by Brickyard VFX artists Geoff McAuliffe, Dave Waller...
Brickyard VFX opens LA branch.(Post News)(Brief Article)
Magazine article from: Post Loftus, Marc January 1, 2004 700+ words
...based commercial effects house Brickyard VFX (www.brickyardsvfx.com...to the West Coast, opening Brickyard VFX Pacific in Santa Monica. The...artist Patrick Poulatian and Brickyard VFX Atlantic co-owners/artists...
Bud's journey.(POSTINGS)(Brickyard VFX)(Brief Article)
Magazine article from: Post March 1, 2005 700+ words
SANTA MONICA -- Brickyard VFX (www.brickyardvfx.com) here provided visual effects work...the famous horse team's barn, using seamless composites by Brickyard VFX to create group shot. Though the animals appear to have been...
Brickyard VFX opens new CG division.(POST NEWS)(Brief Article)
Magazine article from: Post December 1, 2005 700+ words
SANTA MONICA -- Brickyard VFX (www.brickyardvfx.com), with locations here and in Boston, has launched a new CG division, extending the company's capabilities...
Brickyard VFX.(appointment of Julian Sarmiento as lead supervisor )(Brief...
Magazine article from: Los Angeles Business Journal December 11, 2006 700+ words
Brickyard VFX, an independent visual effects boutique, has hired Julian Sarmiento as 3D lead supervisor at its Santa Monica office. Sarmiento was previously digital modeler with Sony Pictures Imageworks.
Post houses look to longform amid ad dip.(Marc Sadeghi in Brickyard VFX's...
Magazine article from: Daily Variety Cohen, David S. June 23, 2009 700+ words
...companies that made their name in blurbs are diversifying by moving into features and longform. [ILLUSTRATION OMITTED] Brickyard VFX, a visual effects company with offices in Boston and Santa Monica, has brought in Marc Sadeghi as a partner and exec producer...
Brickyard providing visual effects for CSI: NY.(POST NEWS)(Brief Article)
Magazine article from: Post October 1, 2004 700+ words
LOS ANGELES -- Brickyard VFX (www.brickyardvfx.com), with locations here...Kanakaredes. CSI: NY is the first longform project for Brickyard VFX. The assignment pairs the Brickyard VFX crew with former 525 Post colleague Mandy Sorenson...
Digital Artists Tackle Visual Effects for Super Bowl 2007 Commercials With...
Press release article from: PR Newswire February 6, 2007 700+ words
...to deliver some of the best ads we'll see this year." Brickyard VFX used the Autodesk Flame visual effects systems to complete...explained Patrick Poulatian, co-founder and Flame artist at Brickyard VFX Pacific. "Goulet was actually filmed on a green screen...
For more facts and information, see all results
©2009 Gale, a part of Cengage Learning. All rights reserved.
About us | FAQs | Contact us | Privacy policy | Terms and conditions
Other Gale sites: Encyclopedia.com | HighBeam Research | Acquire Content | Books & Authors | Goliath | MovieRetriever | Smart QandA