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in living color; Having won over her contemporaries and a younger generation of artists, Mary Heilmann is finally receiving the public recognition she's long deserved.(Mary Heilmann: To Be Someone)

Vogue

| August 01, 2007 | Kazanjian, Dodie | COPYRIGHT 2007 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Byline: Dodie Kazanjian

There's always this glimmer when you mention Mary Heilmann," says Elizabeth Armstrong, chief curator at the Orange County Museum of Art, in California. "It's as though everybody has been seduced at least once by a Heilmann painting." It happened to me way back in January 1987, when I saw her painting The Beach House. I was interviewing Pat Hearn, who had recently become Heilmann's dealer, and my eyes kept going back to the blue-and-white canvas that hung beside Hearn's desk. It was minimal but raw, an empty, sensuously brushed, somewhat sloppy blue square on an even emptier white ground, yet it contained a world of associations: water, ...

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