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Anna Harriet Heyer (1909-2002) first achieved profession-wide recognition in 1957 with the publication of her groundbreaking bibliography, Historical Sets, Collected Editions, and Monuments of Music: A Guide to their Contents (Chicago: American Library Association). Previously, she had been recognized by a small cadre of colleagues located largely in New York: Richard Angell, who taught the first music library course at Columbia University; Catharine Keyes Miller, who succeeded him; and Otto Kinkeldey, then librarian at Cornell University. Doubtless she was not the only person influenced by Kinkeldey's 1937 article in the ALA Bulletin, (1) which offered the first ...