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Elgar: Orchestral Miniatures.(Sound recording review)(Brief article)

Sensible Sound

| August 01, 2007 | Puccio, John | COPYRIGHT 2007 Sensible Sound. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

Elgar: Orchestral Miniatures. James Judd, New Zealand Symphony Orchestra. Naxos 8.557577.

For listeners used to hearing only Sir Edward Elgar's big orchestral works--the First and Second Symphonies, the Pomp and Circumstance marches, the Enigma Variations, and the like--these orchestral miniatures may come as a delightful surprise. They are really quite enchanting.

Things begin with the Froissart Overture, written in 1890 and one of Elgar's first popular pieces. It has a nice, dashing swagger to it, inspired by some chivalric lines in a poem by Sir Walter Scott. That's followed by a selection of tunes that remind one of the English romantic-pastoral tradition: May Song, Carissima, Three Characteristic Pieces, Chanson de Matin, and Chanson de Nuit. They are slow, lovely pieces with a certain quality of Delius about ...

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