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Legends.(Josephs Legende)(Opera review)(Brief article)

The New Yorker

| July 30, 2007 | Platt, Russell | COPYRIGHT 2007 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

"Josephs Legende" (1914) is the ultimate Richard Strauss sleeper. The only German composer to be commissioned by Diaghilev's Ballets Russes, Strauss composed a lush sixty-five-minute orchestral tableau illustrating the Biblical tale of Joseph and Potiphar's Wife that was designed specifically for the prodigious talents of Nijinsky. But when Nijinsky was fired by Diaghilev, his lover, out of revenge for marrying Romola de Pulszky, the role of Joseph in the Paris premiere was taken by the less experienced Leonide Massine, and the piece never got the launch it deserved.

Now "Josephs Legende" returns with an electrifying performance by the Budapest Festival Orchestra, led by Ivan Fischer (on Channel Classics). While hardly profound, it is a bewitching piece that has something for every Strauss fan: the innocence of "Der Rosenkavalier," the decadence of "Salome," the grand bombast of the "Alpine Symphony."

Not all legends come out of the haze of history. Lorraine Hunt Lieberson inspired more reverence than any opera singer since Maria Callas; a new disk of the mezzo-soprano ...

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