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COPYRIGHT 2007 All rights reserved. Reproduced by permission of The Condé Nast Publications Inc.
As in his previous novel, Gibson abandons the futuristic dystopias that have sustained most of his career, picturing instead a dystopic present--specifically, a post-9/11 America, which, in thrall to ubiquitous media and vague threats of annihilation, has "developed Stockholm syndrome toward its own government." The convoluted and politically insistent...
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