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Fascism on the screen.(Film)(Critical essay)

Quadrant

| June 01, 2007 | McDonald, Neil | COPYRIGHT 2007 Quadrant Magazine Company, Inc. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

BACK IN THE MID-1970s when Leni Riefenstahl was reinventing herself as a "documentary photographer", that very public New York intellectual Susan Sontag wrote an article titled "Fascinating Fascism". Among other things she attacked the evasions in Riefenstahl's self-descriptions in her two photographic books, The Last of the Nuba and The People of Kau. Riefenstahl, Sontag insisted, had been a willing collaborator in Nazi film-making, and what is more her work, including the photographic books, was fascist art; beautiful and compelling, but fascist.

For many of us discovering Riefenstahl's life and work at the time, Sontag's article seemed to have gone too far. ...


    
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