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HOW FAR SHOULD an historical novel stick to the ascertainable truth? The short answer is that I don't know, nor does anybody else. However, I find it irritating and disappointing when a novel departs from a record I am familiar with.
Presumably there must be some simplification and heightening for effect and a degree of guesstimation to fill in the gaps. But a best-selling novel like Kate Grenville's The Secret River is all most people will ever know about a particular situation, and illustrates many a point.
I found it a fairly good, accurate representation of life among the ex-convict small farmers of the Sydney region in the early nineteenth century, ...