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The director Howard Hawks (1896-1977), the cinematic kin to his friend Ernest Hemingway, evoked with spare visual rhetoric the stern tests of valor that defined his romantic heroes. A spate of new DVD releases and reissues reveal how Hawks obsessively reworked his personal mythology of sex and power throughout his long career.
Hawks's gangster classic "Scarface" (Universal), from 1932, tells the harshly realistic yet deftly stylized Prohibition-era story of the rise and fall of Tony Camonte (Paul Muni), a gaudy Chicago hit man who exerts his will to power with breezy good cheer. His rage is reserved for keeping his eighteen-year-old sister (Ann Dvorak) from other men, including his sidekick, Guino (George Raft). Yet Camonte's most intimate relationship is with his meek, illiterate "secretary," Angelo (Vince Barnett): when Guino catches Tony clutching the barrel of Angelo's gun, the collective look of embarrassment suggests all that Hawks couldn't say.
The equally bilious "Land of the Pharaohs" (Warners), from 1955, depicts horrific violence inflicted in ancient Egypt in the name of a belief system. Pharaoh (Jack Hawkins) coerces an enslaved architect to build an impregnable tomb--a pyramid--to preserve his plundered riches for the afterlife. The colossal project's completion requires predatory exactions, but the Cypriot princess (Joan Collins) whom Pharaoh took first as a tribute ...