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In the late nineteen-sixties, Mike Stevens, a teen-aged ghetto daydreamer in Washington, D.C., imagined a fabulous existence as Mingering Mike, a soul-music superstar, and he hand-painted a series of colorfully exuberant record-album jackets representing his explosive career. Between 1968 and 1977, he painted some fifty LP covers and nearly as many 45 r.p.m. picture sleeves (inserting cardboard disks with labels and even painted grooves). Into this fictive discography he wove an elaborate personal mythology; ...