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When Jelinek won the Nobel Prize, in 2004, the honor provoked outrage from critics who claimed that her books contain more hateful fury than artistic virtuosity. Her latest novel might appear to bear out this view. Its tone is contemptuous, and its plot--centering on a murderous country policeman who seduces local women in order to acquire their property--is confusing and skeletal. But Jelinek has a way of provoking us to reexamine ...