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David Mamet, in his new volume of polemical mischief, "Bambi vs. Godzilla," coins the term "affliction drama" for the genre of entertainment that "enlists the human capacity for sympathy and asks the sympathetic to weep." Mamet calls this a "hijacking of the dramatic transaction," the theatrical equivalent of "bringing a gun to a knife fight." In such scenarios, human suffering trumps both dramaturgy and discourse. The intellectual blackmail implicit in these plays, Mamet argues, is: Do you appreciate this play, or do you hate blacks, the bereaved, the autistic? The latest example of this sort of theatrical buttonholing is "The Year of Magical Thinking" (directed by David ...