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The rise of krip-hop: with a new compilation album, rappers with disabilities challenge the music industry.(TREND)

Colorlines Magazine

| May 01, 2007 | Davis, Beandrea | COPYRIGHT 2007 Color Lines Magazine. This material is published under license from the publisher through the Gale Group, Farmington Hills, Michigan.  All inquiries regarding rights should be directed to the Gale Group. (Hide copyright information)Copyright

IN A SCENE FROM THE 1984 FILM Breakin', a young Chicano drops his crutches and spins, locks and pops in dazzling form with the sole use of his upper body. As this popular dance film shows, people with disabilities have been part of hip-hop's cultural forms since its beginnings. But one scene featuring a hip-hopper with a disability hardly trumps a sea of popular images of able-bodied artists within a hip-hop industry that emphasizes style and physique.

Enter the world of krip-hop, a ripple movement within the ever-widening umbrella of hip-hop.

Branding their music as a unique niche within a hip-hop that has become estranged from its transgressive roots, artists with disabilities are hoping to forge new pathways for visibility within hip-hop culture by forming support networks and independent outlets to create and distribute their music. Earlier this year, poet and activist Leroy F. Moore, Jr. released ...

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